Those Fucking Snowflakes – Blackpool, England, United Kingdom “Those Fucking Snowflakes and Everything Is Absolutely Fkkkkkkd” is an eyecatching title for a band and their debut. These very words, considering the rhetoric and terminology used, could actually be interpreted to be quite problematic and regressive. Thankfully, this really isn’t the case, for Those Fucking Snowflakes
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Cuffs – Bristol, England, United Kingdom Introducing Cuffs is something I have been meaning to get done (successfully, not in a Brexit-way because fuck that shit) for quite some time now. I shan’t bore you with some grandiose reasoning unto why because it can easily be encapsulated with the word “time”. However, the Bristol four-piece
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Crum! – London, England, United Kingdom And so, introducing Crum! How to go about it? Well, firstly the noisey not so little three-piece hail from London-town and that should at least go as afar as to suggest that their “sound”, considering the precursor description of “noisey”, could be anything. It indeed could be anything but
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The New America – Bristol, England, United Kingdom The beauty of Bristol’s musical output is its eclectic variety. The New America and ‘Going To The Races (Dressed Like A Racist)’ slide into a bonafide placement amongst this variation. The key point here is the unpredictable nature of how this variety can manifest itself amongst the
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Austerity – Brighton, England, United Kingdom Introducing Austerity. Hmmm, well isn’t that a profundity rich topic in this age of the exponentially increasing Punk music cornucopia. However, despite the looming threat of my incessant waffle, I should think now, a few sentences in, it would be rude to stop and not very “Punk” to simply
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Bruise Control – Manchester, England, United Kingdom Bruise Control and their Self-Titled enter into a 2020 that, for lack of a better everything else, has kept full-capacity in-ear live gigs to a recurring maximum. In other words that aren’t quite so ridiculous and do have some functional meaning when collated into a sentence, 2020 is
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GagReflex – Cheltenham, England, United Kingdom The bass and drums approach to Punk music is one more common than you’d think. GagReflex and their What We Owe To Each Other EP enter into 2020 via a blast of societal disdain that not only pertains to the wealth of this aspect of the Punk-scene but is
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TANKENGINE – Newcastle, England, United Kingdom TANKENGINE – TANKENGINE TAKENGINE is a collection of words denoting to the cliché (but apt) description of the words “powerhouse trio”. In fact, couple those very words with a cacophony of eerily inviting groove, playful Noise Rock “why nots” and complicated, spasmodic Post-Hardcore energy and it actually becomes a
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Comminor – Västerås, Sweden Comminor and Answering Machine For Broken Dreams are characters denoting to a band and album respectively that breathe the musical freedom of Punk music. Was that a cliché statement? Perhaps, but it doesn’t make it any less true. Firstly a little more about the band themselves. Prior to Answering Machine For Broken
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THVS – Belfast, Northern Ireland, United Kingdom Loud, a word perhaps best used to preliminarily describe the following words denoting to both a band and a release: THVS – Fevers. Enough to draw you in? I hope so. THVS have been abrasively and violently deconstructing the sound barrier since 2014, with an accosting mix and
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