Shellycoat – Hamburg, Germany The legacy of ’90s Punk is a lucrative well of sonics that outdoes itself. Shellycoat and Hide The Knives enter via the influence of the seminal period but in a manner open and free in its exploratory desires. The Hamburg band have been slogging it out since the early “twenteens” and in
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Spillage – Manchester, England, United Kingdom The open and inherent disdain of Punk-Rock as a medium has increased exponentially in 2020. Spillage and their debut Self-Titled enter such a time to be alive (negatively) in a flurry of disdain and entrenched grit in a cross-reference of infused melody via Rad Noise Records. The Manchester four-piece who
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Burnt Tapes – London, England, United Kingdom 2020 has been a peculiar one, perhaps, some would be inclined to remark, even somewhat of a weird one. A year that Burnt Tapes and Grower enter via some variant of normality regarding the underground music scene. However, the London-based, Lockjaw Records mainstays have twisted the very normal act
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Bruise Control – Manchester, England, United Kingdom Bruise Control and their Self-Titled enter into a 2020 that, for lack of a better everything else, has kept full-capacity in-ear live gigs to a recurring maximum. In other words that aren’t quite so ridiculous and do have some functional meaning when collated into a sentence, 2020 is
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The Cult Sounds – St. Louis, Missouri, USA Post-Punk is, for a lack of a better set of words, “a funny one”. A funny one that today, has resulted in introducing of The Cult Sounds via a few words and relevant sounds to adequately break down what the band are indeed about. Hailing from St.
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