Three Days From Retirement – Edinburgh, Scotland, United Kingdom Introducing Three Days From Retirement is something perhaps easiest after a little context via in-band inspiration. The band, like many in the scene, are somewhat elusive but again, like most in the scene, wear their influences on their sleeves. TDFR cite the likes of Mogwai, Russian
Dutch Elm – Newcastle, England, United Kingdom. Cover photo: BLINDFACE – Here. Dutch Elm – In Hindsight. A release I’ve been meaning to sit down with for a while. EN covered the band in an introductory form back in January of this year, which you can find – Here. If you’d rather just step to it, then
Ocean Districts – Tallinn, Estonia. Through some sonic research within the ever-demanding need for new music, “gateway bands” and more often than not, good old fashioned word of mouth, you will discover a thriving scene where Instrumental music truly reigns. It is here you will find Post-Rock and Post-Metal expansively creating imagery through skilled and
P S O T Y – London/Peterborough, England, United Kingdom. It’s been a long five years. A very long five years for reasons that Im sure, if accumulated, would amalgamate to such a state that they would be the next great and depressing chronicle. Things are indeed somewhat on the crap side of the metaphorical
Steve Strong – Plymouth, England, United Kingdom. It is safe to stay that if I was to let my mind and words match the career and facts about this underground musician and multi-instrumentalist, that I would write something comparable in length to the Anglo-Saxon chronicle or something akin in time to the amount of said
Dutch Elm – Newcastle, England, United Kingdom. The genres of Post-Rock and Post-Metal are renowned for their long, drawn, out seemingly eternal sonic-epics and their ability to invoke such an imagery upon the mind. They are genres that are often seen or rather heard to be the perfect soundtracks to your delving into imaginary visual
P S O T Y – Peterborough/London, England, United Kingdom. ‘We play music with few words. Always dark and always heavy.’ In my experience within the underground writing game, when a band is visibly “up to something” after a period of either absence or at least limited activity, it’s an opportune time to break out
