Dutch Elm – Newcastle, England, United Kingdom. Cover photo: BLINDFACE – Here. Dutch Elm – In Hindsight. A release I’ve been meaning to sit down with for a while. EN covered the band in an introductory form back in January of this year, which you can find – Here. If you’d rather just step to it, then
Ocean Districts – Tallinn, Estonia. Through some sonic research within the ever-demanding need for new music, “gateway bands” and more often than not, good old fashioned word of mouth, you will discover a thriving scene where Instrumental music truly reigns. It is here you will find Post-Rock and Post-Metal expansively creating imagery through skilled and
Hiver – Bristol, England, United Kingdom. Whenever I see the excerpt or beginning of a message or email and the city of Bristol is mentioned I feel an instant curiosity and sense of excitement. This is partially because of my living quarters being not too far from the city but also because whenever I see
Steve Strong – Plymouth, England, United Kingdom. It is safe to stay that if I was to let my mind and words match the career and facts about this underground musician and multi-instrumentalist, that I would write something comparable in length to the Anglo-Saxon chronicle or something akin in time to the amount of said
Dutch Elm – Newcastle, England, United Kingdom. The genres of Post-Rock and Post-Metal are renowned for their long, drawn, out seemingly eternal sonic-epics and their ability to invoke such an imagery upon the mind. They are genres that are often seen or rather heard to be the perfect soundtracks to your delving into imaginary visual
P S O T Y – Peterborough/London, England, United Kingdom. ‘We play music with few words. Always dark and always heavy.’ In my experience within the underground writing game, when a band is visibly “up to something” after a period of either absence or at least limited activity, it’s an opportune time to break out
