Tarmak – Ghent, Belgium Locked away since 2014 brewing an organised yet jaggedly-unpredictable sound, it is only now that Tarmak and Plow in the year of no real precedent make their play. The Ghent, Belgium based band supposedly began as a three-piece wholeheartedly committed to Acapella Mongolian Throat Singing. However, after ultimately and fatefully deciding that
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Parhelia – Dublin, Ireland Post-Rock and Post-Metal. These genres are enjoyable to write about, but not the easiest. Parhelia and Celestial Horizons are the latest band and release that I am to tackle within the sonically expansive tapestry that is this wing of progressive guitar music. I shan’t waste any time describing the profundity of the
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Dutch Elm – Newcastle, England, United Kingdom Cover photo: BLINDFACE – Here. Dutch Elm – In Hindsight. A release I’ve been meaning to sit down with for a while. EN covered the band in an introductory form back in January of this year, which you can find – Here. If you’d rather just step to it, then
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Dutch Elm – Newcastle, England, United Kingdom. The genres of Post-Rock and Post-Metal are renowned for their long, drawn, out seemingly eternal sonic-epics and their ability to invoke such an imagery upon the mind. They are genres that are often seen or rather heard to be the perfect soundtracks to your delving into imaginary visual
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Underwing – Arendal, Norway. Arendal, Norway is home to five human beings with a penchant for the odd riff. Said odd riff – or more truthfully riffs – are inspired by every ones favourite moody Rock go to, Grunge, alongside other groove laden, heavy yet playful tones warped by a appreciation for Stoner Rock, Metal,
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Eryn Non Dae – Toulouse, France. Abandon Of The Self via Toulouse progressives Eryn Non Dae is a Metal album from an underground movement that a lot of the more “mainstream” and or popular Metal addicts either aren’t aware of or simply don’t liken enough to the token well-known names of the genre. It’s an album
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